HD Camcorder with manual focus - Forumsthe closer you get a mic to the audio source (i. Since consumer camcorders have built- in mics, getting the entire camera closer to the audio source can be a challenge because that may not meet your shot framing needs. As you have found, when air blows over the mic element(s), that low- end rumble is picked up. And if the wind is blowing enough, that can be loud enough to drown out the audio source you want to be heard.. This can happen outside (obviously) and inside (air conditioning, fans, or other items moving air), so..
Whether the microphone(s) connects directly to the camcorder or an audio "field recorder" is up to you. Since you brought it up, we'll deal with the camcorder- direct connection first - if you are interested in understanding field recorders, we can go down that path. Many consumer camcorders have no mic input other than the built- in mics. Most consumer camcorders with a mic jack do not have manual audio control (this is more important when the audio is REALLY LOUD or very soft). First, some basics.. Consumer camcorders with a mic jack have a 1/8" (3.
Some (like those from Canon and Sony) may have a "hot shoe" on top of the camcorder that allows mics specifically made to connect to that hot shoe an capture audio. The 1/8" (3. 5mm) stereo input can use pretty much any mic that has a 1/8" (3. If the mic is a mono (not stereo) mic, typically, only one channel of audio will record to the camcorder's audio track. This can be corrected in editing with a half decent video editor or by exporting the audio to a tool like Audacity, panning the audio and importing the "fixed" audio back to the video project.
Generally, the cable used by mics with a 1/8" (3. The cable length will be faily short - less than about 1.
When when you want to have a cable length greater than that, you need to get to shielded - or "balanced" - cabling. This is where XLR connectors come in.
The cabling is a lot thicker and has a metal sheath - shield - that protects against picking up radio frequency interference and electromagnetic interference (RFI & EMI). There are lots of different types of mics. Those commonly used for what you are doing include: * Shotgun mics (very directional; typically mono, but there are some expensive stereo shotgun mics available). You typically see these at the end of a boom- pole in a shock mount or encased in a "dead cat" (or zeppelin - Rykote calls the "Softies").* Condenser mics (not as directional, but sensitive and useful for sound design activities. A stereo condenser mic is a very useful addition to a kit).* Lavaliere mics (small clip- on mics can be wired or wireless) can also be taped, hidden, under the light clothing of the person speaking (use "moleskin" or some other adhesive made to be on skin as you don't want to tear skin off or cause a rash when you remove the mic at the end of the day). Wireless lavs are REALLY handy - as with any wireless mic, look for UHF, full diversity, to reduce the possibility of picking up RFI and EMI. The mic capsule is connected with a thin wire to a body pack which talks wirelessly to a base station that is plugged into whatever is recording the audio.
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There are other mics that can be useful, but this is a good start. Your situation: The RODE video mic is a good consumer (some might even say prosumer) mono shotgun mic with a 1/8" (3. It typically mounts to the camcorder using the camcorder's accessory shoe or an add on accessory shoe by way of a camera bracket. The foam windscreen can help reduce wind noise when the wind is very light. The included cable is very short.
If you want the mic to be closer to the audio source, then you will want to mount the mic to a boom pole - which means a longer cable. You might be able to use the included shock- mount on the boom pole. The shock mount is needed to isolate the mic from the boom pole so it does not pick up handling noise from whomever is holding the pole. Shotgun mics work well when they are within about 6 feet from the audio source.
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Closer is better. If there are two people within a couple of feet of each other, then slightly changing the direction of the mic to pick up the person who is speaking is easy enough to do by the boom- ops person. If there is only one person speaking, it may be better to use a wireless lav either clipped to their clothing or, as previously indicated, hidden/taped under light clothing keeping the mic about mid- sternum. If you find yourself needing to use XLR mics, in your case, all you need is an XLR adapter. I have a juiced. Link CX2. Beach. Tek DXA- 6. The XLR mics plug into the XLR adapter, the XLR adapter plugs into the the 1/8" (3.
In your case, I don't think the HG2. I could be incorrect), so you can take advantage of the audio gain controls on the XLR adapter. There are a few more advantages to these XLR adapters - let me know if you want more details on them. Audio Technica makes good, affordable, shotgun mics. I also like (and own and use) an NRG Research SA- 5.
Shure, Sennheiser and Audio Technica make good wireless lavs. Audio Technica or Shure for stereo condenser mics.